The (Re)Construction of Identities in Popular Andean Music in Peru: A Field of Cultural Dispute and Negotiation

Authors

  • Fanny Pineau Universidad La Soborna, France
  • Andrés Mora R. Universidad Nacional, Costa Rica

DOI:

https://doi.org/10.15359/rep.6-1.4

Keywords:

cultural identities, multidimensional, local and national referents, hegemony, Andes folk music, demographic transformations, dominant and dominating subjects

Abstract

This paper analyzes the construction and transformation of the cultural identities in Peru: a complex, multidimensional, conflicting, and dynamic process in  which local, national, global, polítical, and historical referents that involve individual and collective subjects fight for hegemony. The Andes regional folk music is one of the scenarios that offer the biggest and richest elements in cultural identity studies.

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Published

2011-07-07

How to Cite

Pineau, F., & Mora R., A. (2011). The (Re)Construction of Identities in Popular Andean Music in Peru: A Field of Cultural Dispute and Negotiation. Ensayos Pedagógicos Journal, 6(1), 67-81. https://doi.org/10.15359/rep.6-1.4

Issue

Vol. 6 No. 1 (2011): January-June

Section

Essays

License

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How to Cite

Pineau, F., & Mora R., A. (2011). The (Re)Construction of Identities in Popular Andean Music in Peru: A Field of Cultural Dispute and Negotiation. Ensayos Pedagógicos Journal, 6(1), 67-81. https://doi.org/10.15359/rep.6-1.4

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