Jayro Bustamante’s Guatemalan triptych

Authors

  • Diane Bracco Laboratorio Espaces Humains et Interactions Culturelles (EHIC) Universidad de Limoges Francia, France

DOI:

https://doi.org/10.15359/istmica.30.6

Keywords:

Jayro Bustamante, Nicolás Wong Díaz, Eduardo Cáceres Stackmann, cinema, Guatemala, interviews

Abstract

This work includes three interviews with Guatemalan filmmaker Jayro Bustamante, cinematographer Nicolás Wong Díaz and sound engineer Eduardo Cáceres Stackmann. The three collaborated in the making of the film La Llorona (2019), third chapter of a film trilogy inaugurated by Ixcanul (2015) and Temblores (2019), dedicated to the social and political issues of contemporary Guatemala. The aim here is to explore the creative axes of this triptych by putting into perspective the
experiences and sensibilities of these outstanding figures of Central American cinema.

Author Biography

Diane Bracco, Laboratorio Espaces Humains et Interactions Culturelles (EHIC) Universidad de Limoges Francia

Doctora en Estudios Hispánicos, es profesora adjunta en el Laboratorio Espaces Humains et Interactions Culturelles (EHIC), del Departamento de Estudios Ibérico e Iberoamericanos de la Facultad de Letras y Ciencias Humanas de la Universidad de Limoges. Desarrolla los proyectos de investigación: ROM’POL: le polar en langue romane (consortium d’universités européennes UNITA), 2021-2023, y Projet régional d’études cinématographiques «VisionNAge(s)» (représentations de la Nouvelle Aquitaine à l’écran), 2020-2023.

Published

2022-07-24

How to Cite

“Jayro Bustamante’s Guatemalan Triptych”. 2022. ÍSTMICA. Revista De La Facultad De Filosofía Y Letras 1 (30): 93-114. https://doi.org/10.15359/istmica.30.6.

How to Cite

“Jayro Bustamante’s Guatemalan Triptych”. 2022. ÍSTMICA. Revista De La Facultad De Filosofía Y Letras 1 (30): 93-114. https://doi.org/10.15359/istmica.30.6.

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