Ana Ilce Gómez: poetry asided to the mysterious silence

Authors

DOI:

https://doi.org/10.15359/istmica.34.08

Keywords:

Gómez Ortega, Ana Ilse, Nicaraguan poetry, literature of Nicaragua, women’s literature, regional literature

Abstract

Ana Ilce Gómez Ortega is clearly Nicaragua’s greatest lyric poet. His Poetry is not the shipwreck, but it is the sailboat where loneliness and loneliness intersect everyday life of women. A sample of the poetry
of Gómez Ortega, author of The ceremonies of silence (two editions: 1975 and 1989) and Poems of the Everyday Human (2004), is compiled briefly to present it to a Central American public. His work is the manifestation of a peaceful life away from of national developments, demonstrating the sobriety of their work and their commitment to poetry. His invocations between customs and mystery hang of the thread where the author builds herself in a self-demanded silence from where the image of the poet reaches its full dimension. Behold: Ana Ilce Gómez Ortega!

Author Biography

Alexander Zosa-Cano,

Es licenciado en Ciencias de la Educación con mención en Lengua y Literatura Hispánica (2015) por la Universidad Nacional Autónoma de Nicaragua. Actualmente, estudia la Maestría en Estudios de la Cultura Centroamericana con énfasis en Literatura en la Universidad Nacional de Costa Rica. Es miembro correspondiente de la Academia de Geografía e Historia de Nicaragua, editor del Fondo de Ediciones Espiral y miembro directivo del Clan Intelectual de Chontales.

Published

2024-07-31

How to Cite

“Ana Ilce Gómez: Poetry Asided to the Mysterious Silence”. 2024. ÍSTMICA. Revista De La Facultad De Filosofía Y Letras 1 (34): 113-18. https://doi.org/10.15359/istmica.34.08.

How to Cite

“Ana Ilce Gómez: Poetry Asided to the Mysterious Silence”. 2024. ÍSTMICA. Revista De La Facultad De Filosofía Y Letras 1 (34): 113-18. https://doi.org/10.15359/istmica.34.08.

Comentarios (ver términos de uso)