Recalcitrant Framing in Kate Chopin’s “Her Letters”

Autores/as

  • Sandra Argüello Borbón Universidad Técnica Nacional, Costa Rica

DOI:

https://doi.org/10.15359/rl.1-65.4

Palabras clave:

teoría literaria, cuento, enmarcamiento, Kate Chopin

Resumen

La teoría literaria anglosajona sobre el cuento permite un análisis de ciertas particularidades del género. En este artículo se estudia el cuento “Her Letters”, de Kate Chopin, desde la perspectiva de los marcos textuales: intratextual, extratextual, intertextual y circumtextual. La recalcitrancia generada en el interjuego de estos marcos produce una lectura de la historia desde la posición subversiva de la protagonista y las cartas que deja a su muerte, que se enmarcan en el binomio silencio/palabra.

Referencias

Armstrong, Andrew. “Narrative, Itineraries, and the Negotiation of 'Domestic' Space in Cherie Jones’s The Burning Bush Women,” Journal of the Short Story in English 64 (2015), <http://jsse.revues.org/1585>.

Brown, Suzanne Hunter. "Discourse Analysis and the Short Story," Short Story Theory at a Crossroads, Susan Lohafer and Jo Ellyn Clarey (eds.). Baton Rouge: Louisiana State UP, 1994. 217-245.

Carley, Alexandra McDowell. "Materiality and the Literary Letter." Honors Theses, 94. Lewiston, ME: Bates College, 2014, <http://scarab.bates.edu/honorstheses/94>.

Chopin, Kate. "Her Letters," The Complete Works of Kate Chopin, Per Seyersted (ed.), Baton Rouge: Lousiana State UP, 1969. 400-404.

McKenna, Susan. (2009). Crafting the Female Subject: Narrative Innovation in the Short Fiction of Emilia Pardo Bazán. Washington D.C.: The Catholic University of America Press, 2009.

O’Dwyer, E. (2014). “Love Texts: The Lacanian Gaze in Epistolary Literature in the 21st Century” (diss.). Sydney: University of Technology, 2014.

Reid, Ian. "Destabilizing Frames for the Story," Short Story Theory at a Crossroads, Susan Lohafer and Jo Ellyn Clarey (eds.). Baton Rouge: Louisiana State UP, 1994. 299-310.

Sempreora, Margot. “Dead Women Talking: The Transgressive Manuscripts of Kate Chopin's 'Her Letters' and 'Elizabeth Stock's One Story,'" The Mississippi Quarterly 65, 4 (2012): 451-463.

Weinstock, Jeffery. “In Possession of the Letter: Kate Chopin's 'Her Letters,'” Studies in American Fiction 30, 1 (2002): 45-62. DOI: https://doi.org/10.1353/saf.2002.0000.

Winther, Per. “Frames Speaking: Malamud, Silko, and the Reader,” Short Story Theories. Viorica Patea (ed.). Amsterdam: Rodopi, 2012. DOI: https://doi.org/10.1163/9789401208390_006.

Wolf, Werner. “Introduction,” Frames, Framings and Framing Borders in Literature and Other Media. Amsterdam: Rodopi/Brill, 2006.

Wright, Austin M. "Recalcitrance in the Short Story," Short Story Theory at a Crossroads, Susan Lohafer and Jo Ellyn Clarey (eds.). Baton Rouge: Louisiana State UP, 1994. 115-129.

Publicado

2019-04-29

Cómo citar

Recalcitrant Framing in Kate Chopin’s “Her Letters”. (2019). LETRAS, 65, 93-106. https://doi.org/10.15359/rl.1-65.4

Número

Sección

Estudios literarios (Literary Studies)

Cómo citar

Recalcitrant Framing in Kate Chopin’s “Her Letters”. (2019). LETRAS, 65, 93-106. https://doi.org/10.15359/rl.1-65.4

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