Poetry of Witness and Translation: Claribel Alegría and Carloyn Forché
DOI:
https://doi.org/10.15359/rl.2-73.2Keywords:
poetic translation, Carolyn Forché, Claribel Alegría, translation of witnessAbstract
American poet Carolyn Forché is also a human rights activist and a poetic translator. This article defines her poetics of translation as expressed in the Introduction to her anthology Against Forgetting. Twentieth-Century Poetry of Witness (1993), and her translation of Claribel Alegría’s Flowers from the Volcano (1982). The article presents the term “translation of witness” which has a social-political objective in Central America beyond literary transmission in the target language. The theoretical framework is based on Antoine Berman and Lawrence Venuti.
References
Alegría, Claribel. Flowers from the Volcano. Carolyn Forché, trad. Pittsburgh: University of Pittsburgh Press, 1982.
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Webb, Laura. «Testimonio, the assumption of hybridity and the issue of genre», Studies in Testimony 2 (2019): 3-23. https://studiesintestimony.co.uk/issues/volume-two-issue-one-2019/testimonio-the-assumption-of-hybridity-and-the-issue-of-genre/.
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