Contradicciones sobre la identidad nativa americana en la novela Ceremony y la película The Business of Fancydancing de Silko
DOI:
https://doi.org/10.15359/ra.1-30.14Keywords:
native Americans, blood memory, cultural analysis, queer moviesAbstract
This paper presents a comparative analysis of the protagonists of both the book Ceremony and the movie The Business of Fancydancing. Through the concept of “blood memory,” as proposed by Allen (94), these two characters reflect multiple shortcomings on either embracing or rejecting their cultural heritage.
References
Allen, Chadwick. “Blood (and) Memory.”
American Literature, Vol. 71. No.1
(Mar., 1999), pp. 93-116.
Jaskoski, Helen. Leslie Marmon Silko:
A Study of the Short Fiction. New
York: Twayne
Publishers, 1998.
Shanley, Katheryn W. “James Welch:
identity, circumstance, and chance”. The Cambridge
Companion to Native American Literature. Ed. Joy Porter and Kenneth
Roemer. Cambridge: Cambridge
University Press, 2005.
Silko, Leslie Marmon. Ceremony. New
York: Penguin Group, 2006.
The Business of Fancydancing. Dir. Sherman Alexie. Perf. Evan Adams.
Falls Apart Productions, 2002.
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