A Historiographical Study of Ekphrastic Poetry: A Rendezvous of Minds

Authors

  • Ana Patricia Barquero-Vargas Costa Rica University, Costa Rica

DOI:

https://doi.org/10.15359/ra.1-32.7

Keywords:

ekphrasis, poetry, rhetoric, enargeia, prosopopoeia, visual art

Abstract

The present work aims at exploring the roots of ekphrastic poetry: the convergence of graphic art and its verbal representation. In the light of this tradition, this ambitious historical endeavor prances through centuries, from Homer’s description of the making of the shield of Achilles in the Iliad to modern ekphrastic poetry in order to have a better understanding of this practice, so old yet so unconversant. It will focus on the ekphrastic custom of prosopopoeia as a means of unsilencing the gazee and in which its narrativity will both speak out and pour the poet’s verbality. The ekphrastic poem becomes a junction of painter, poet, reader, and work of art in order to bring the signifier into being in this rendezvous of minds.

Author Biography

Ana Patricia Barquero-Vargas, Costa Rica University

Master of Arts con énfasis en educación (Universidad de Kansas) y licenciada en literatura inglesa (Universidad de Costa Rica). Profesora de la Escuela de Lenguas Modernas (Facultad de Letras, U. de C.R.). Su área de interés son los estudios de género en poesía y cuento.

References

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Published

2022-06-16

How to Cite

A Historiographical Study of Ekphrastic Poetry: A Rendezvous of Minds. (2022). Repertorio Americano, 32, 119-130. https://doi.org/10.15359/ra.1-32.7

Issue

Section

Artículos (sección arbitrada)

How to Cite

A Historiographical Study of Ekphrastic Poetry: A Rendezvous of Minds. (2022). Repertorio Americano, 32, 119-130. https://doi.org/10.15359/ra.1-32.7

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